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Childlike Wonder with Real-World Reflections

PHOTO SHOOT + ARTICLE

Childlike Wonder with Real-World Reflections

By Sydney Ameigh

Models

Van Aileen

Stylists

Elijah Allen, Anu Patel, Bebe Smith

Directors

Elijah Allen, Bebe Smith

Photographer

Anushka Dhariwal

Childlike Wonder with Real-World Reflections

A Conversation with Van Aileen

On a chilly Thursday afternoon, inside of a cafe on George Street, we had the pleasure of sitting down with Van Aileen, and got a peak into their inside world of art, and discovery. Through this conversation, Van walked us through their journey of attacking real-world problems through the creation of imaginary characters.

Nostalgia often brings people back to simpler times. Looking back on childhood is a secret way to cope with the troubles we have, but for multimedia artist Van Aileen, it also becomes a way to examine the present, and reflect in a grounded way. Van’s work blends childlike wonder with inner reflection, creating whimsical worlds that feel both playful and emotionally grounded. Their work spans across paintings, tattoo designs, and interactive video game art. Van draws from the visual language of childhood to explore modern problems, shedding light on the storytelling of their own self, and others. In this article, you will see how Van turns imagination into a powerful artistic voice. Sydney Ameigh

Who is Van Aileen?

Have you ever been walking down the street, and out of the corner of your eye, you see someone with their own essence beaming bright as they walk? Take one look at Van Aileen, and you will be convinced they must be a magical being. Van is a multi-media artist, currently attending Mason Gross School of the Arts, majoring in design, sculpture, and painting. Starting when she was about two years old, drawing in a sketch book, in Peru, a love for art and recording the world around her started to grow. Van gave a special shoutout to both her grandmother, and her history teacher, one for showing her a form of art, another for inspiring her to follow her love of art. Her grandmother showed her that art can have a function. Growing up, she always saw her grandmother making something for other people, mostly in the way of cooking for others. Her other inspiration was her history teacher, inspiring her by saying one thing. “It is a great thing to wake up, and love what you do.” – Unknown Name. This passion for creating art, and the language of it has lived inside of Van for as long as she can remember.

What is Van’s Goal with Making Art?

Sometimes, an artist’s goal when making their art tends to relate to their own self, in the means of self-discovery, self- expression, or simply clearing their head. While Van implements all of these things into her process, she also puts a lot of her purpose of art into giving a voice to people who do not have a platform to do so.

After speaking with Van, the answer was obvious, Van is for the people. They’re main goal when creating these various forms of art is to give voices to those who are forced into silence. To give platforms to people who cannot reach high enough, all while creating a universe of her own.

That is not all, another major aspect of Van’s art is the need to storytell. Being from Peruvian heritage, Van asked themselves, “how could I translate different fables, folktales, and make it my own in a more modern context?” The “whimsy” aspect that shines through Van’s art comes from her storytelling through it. All of this has come naturally, starting at two years old, and developing with her as she grew older.

Van’s Hope for the Next Generation of Artists

We asked Van Aileen what their goal was for the younger generation, and her answer did not disappoint. She wants the younger generation to not only continue the progress in art that has been made, but to further develop it. Van wants younger artists to continue to speak for people who cannot speak for themselves, as this is a growing issue in today’s age. She also stressed the importance of creating community and nourishing it. In creating a community, you will also find a community that you feel welcomed into, and belong in. This generation of artists will provide hope and inspiration for the next generation to come, demonstrating how they’ve created their own universes and languages to communicate things that are sometimes hard to say otherwise.

This goes without saying, that feeding this part of yourself when making art helps heal and nurture your younger self as well. We asked Van if they could see their younger self while making art, and their answer did not disappoint. The child in you is always waiting to be heard. Hydra and Blood (2023), oil and mixed media, 3 ft. x 4 ft. Casa (2024), ceramics, ribbon, wood “I think a lot of it is using archives that are not tangible. Sort of like, memories, or conversations that I’ve had. Using those as physical pieces.”

What Should You Takeaway from Van Aileen’s Artwork?

One word, “agency.” Van believes that art is universal, but community is for you, it is specific to each person. Van wants people to take away agency from her art by helping people find a space where they feel a sense of belonging.

The real-world issues being demonstrated through Van’s artwork are meant to be connected to. She hopes that experiencing her art can make these problems easier to grasp and comprehend, as it is done in a whimsical and gentle way.

Emotions Within Van Aileen’s Art

Have you ever been to a museum? What emotion do you feel when looking at a piece of artwork that speaks to you? Sometimes you may feel inspired, grateful, motivated etc. Van has a purpose within their art and hopes that when people experience their work, they feel “reflective.”

“I would never tell people, “you HAVE to feel this,” or “you should walk away being the most inspired person ever.” Just going home and being like, “ok, this has me thinking about how I can create community?” Not necessarily asking, more so an invitation for reflection.”

Van’s art is meant to be experienced, but also it is meant to have an effect, make a mark, and make you think. Every piece of work she has shown to the public has layers to it. Don’t be afraid to start peeling, and dig deeper within yourself to find where it landed.

Everyone defines art differently, but for me, I think it can have a function and a purpose.

We also asked what emotions Van felt when creating these pieces. The answer was not just one emotion, but the opposite. She could not put how she felt into just one word. Van said that she tends to feel everything when making this art. She feels so much during this process that even when she is not making art, she has an itch to create something, anything. In a grounding way, there is a force telling her to make something. Even though it can be a stressful process, it tends to calm her as well, in the best way.

Graduation and Glitter Hands

As we reach the end of spring semester 2026, we are also creeping up on Van’s graduation. Some may see this as the end of childhood wonder. The point in our lives where we need to leave behind these imaginative things, and get realistic. But, for everyone including Van, this is simply turning a page. A new chapter in the storybook of our lives, and her work is far from over.

Van’s biggest project has officially been released for the public to see, students to take inspiration from, and family to be proud of. Van Aileen’s thesis is titled “A Transient Space to Return To.” This went on display March 12th in Mason Gross Galleries, and it did not disappoint. It is a big, life sized sculpture she made by hand. It is quite literally a space to return to, as you can enter the house- like sculpture, and sit in tranquility within the beauty of it. Through the labor of this project, it has healed so many things inside of Van, and with the support of her grandmother, who showed her this passion in her early life, she was able to express her love of her grandmother, her heritage, and art as a whole through her thesis.

For me, “art” is translating my own experiences, the stories of others, and creating my own world.

A Transient Space to Return To (2026), BFA Design Thesis Exhibition Van taps into her personal experience in this project in a delicate and meaningful way. There are paintings hanging above the sculpture, with quotes such as, “migration is an earth right.” Every detail of this thesis was intentional, and the passion for art shines through every inch.

“The only thing more powerful than hate, is love.” – Bad Bunny.”

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